When talking about the work reflected through All That Remains, 2011-2012, I like to think of them as unfinished inventories of fragments, and memorabilia. Sometimes creating fictional creatures (including myself) to propose a covert history of modernity and our disturbed human nature.  Other times, using the ready made to question human civilization at its morbid state. While the nature is persevering to recapture what once belonged to the planet, I challenge the viewer to reflect what they value the most in their lives at the moment, and what they think would remain after death.